New Yorker

Like it or not, Facebook CEO Mark Zuckerberg is a gatekeeper. The era when Facebook could learn by doing, and fix the mistakes later, is over. The costs are too high, and idealism is not a defense against negligence. In some sense, the “Mark Zuckerberg production”—as he called Facebook in its early years—has only just begun. Zuckerberg is not yet thirty-five, and the ambition with which he built his empire could well be directed toward shoring up his company, his country, and his name.

Late in 2015, a former Trump Tower doorman named Dino Sajudin met with a reporter from American Media, Inc., the publisher of the National Enquirer, at a McDonald’s in Pennsylvania. A few weeks earlier, Sajudin had signed a contract with A.M.I., agreeing to become a source and to accept thirty thousand dollars for exclusive rights to information he had been told: that Donald Trump, who had launched his Presidential campaign five months earlier, may have fathered a child with a former employee in the late nineteen-eighties. Sajudin declined to comment for this story.

President Donald Trump seems to have no tolerance for boring television. His press secretary, Sean Spicer, now a recurring character on “Saturday Night Live,” is often tongue-tied, enraged, or both. About once a week, the walls behind the lectern are turned inside-out, revealing built-in screens from which reporters around the country can ask questions by video link. This is another Spicer innovation—the “Skype seats.”

During one of these sessions, Jared Rizzi, a White House correspondent for Sirius XM, tweeted, “Skypeophant (n.) – super-friendly questioner used to burn up briefing time through the magic of early-aughts technology.” “I certainly appreciate the purpose of bringing geographic diversity into the room,” Rizzi said. “I also appreciate ideological diversity. I don’t appreciate diversity of journalistic practice.” A longtime Washington reporter from a mainstream network echoed that sentiment. “I don’t mind them bringing in conservative voices that they feel have been underrepresented,” he said. “...But at what point does it start to delegitimize the whole idea of what happens in that room? When does it cross the line into pure trolling?”

The Federal Communications Commission’s self-imposed hiatus means that a number of high-profile regulations are unlikely to be acted upon until President-elect Trump takes office, if ever. One of those issues is video description – when a narrator explains, for the benefit of the blind or visually impaired, what’s happening onscreen during a TV show or movie, squeezing his or her voice-over into the gaps between dialogue.

The problem is that not many shows have video description. Currently, FCC regulations require the four broadcast networks (ABC, CBS, Fox, and NBC) to provide just four hours of the service per week, for primetime or children’s programming. Five cable channels (USA, TNT, TBS, History, and Disney) are subject to the same requirement. A deleted agenda item from a November FCC meeting would have expanded the FCC’s requirement by more than half, up to nearly seven hours per week, and applied it to the top ten non-broadcast channels, including premium ones such as HBO and AMC. Today, the fear in the blind community is that a temporary delay might become a permanent halt.